![]() ![]() ![]() As you add further tags, your search is narrowed down to a list of presets whose parameters will be used as targets for your mutations. These comprise Instrument, Source, Timbre, Articulation and Genre. First, you choose an existing preset as a starting point, and then select some of the tags from the Browser database first seen in Absynth 4. If you want to make new Absynth sounds but never knew where to start before, the new Mutator will make you smile. Fortunately, in Absynth 5 a lot of effort has gone into making things easier to use, so let's see how successful NI have been! Mutator This makes it a favourite among sound designers, but its quirky design also means that while many users love its sound capabilities, they rapidly become rather lost when it comes to creating their own sounds. Part of the reason for its popularity is that it not only runs as a stand‑alone version or as a plug‑in instrument, but also as a plug‑in effect that can treat incoming audio. Following its humble origins as a Mac‑only release by software developers Rhizomatic in 2000, Absynth quickly joined the ranks of Native Instruments products and gained a PC version, while its semi‑modular design, wave‑shaping, granular synthesis and 68‑point envelopes also gained it a huge number of enthusiastic users. There are few soft synths that rise to the dizzy heights of a fifth incarnation, but then Absynth has always been rather different from the norm. The grain cloud options of the Aetherizer effect are stunning, and can be applied to your own audio as well to Absynth patches. So I've been content, so to speak, just upgrading over the years the individual packages (when they do their summer 50% upgrade sales).įor people just starting out, however, it's a no-brainer-save up, buy it.The fifth version of Absynth introduces even more sound-mangling features and aims to be far more user‑friendly than its predecessors. They don't take into account that I have several of their products when they give me the crossgrade price. So for me, no, Komplete isn't a great deal. When you master an instrument like Zebra, presets lose their appeal over the sound you have in your head.įor fun I did buy Serum and I have owned Omnisphere for ages. Instead of the Komplete collection of synths, I have pretty well mastered Zebra 2-I mean, presets are all great and everything, but I haven't used synth presets for a long time (except Init). Instead of Battery, I have Geist, Tremor, and a slew of acoustic drum libraries (including Addictive Drums 2). ![]() ![]() Last year I bought Reaktor 6 for like $100 bucks or something, maybe less, and that pretty well sealed the coffin for me on Komplete. The problem for me is that for the longest time, aside from Reaktor, nothing in Komplete really piqued my interest since most of the sample libraries were sub-par or redundant to what I already owned (having been collecting VST effects and instruments for 10 years as well). Now it seems every year they try to tempt me with a Crossgrade price. A year or so later, I bought Guitar Rig with the Rig Kontrol. I bought Kontakt 2 about 10 years ago over Gigastudio (super glad how that worked out). However, for me, I'm not really interested in Komplete all that much-when I started out with Native-Instruments, Komplete didn't exist. These days Komplete is a no-brainer starter package. ![]()
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